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I’m a huge fan of the Big Bang Theory but even after watching every episode I’m fairly sure there’s no loop quantum gravity, supersymmetry, or string theory explanation for why it is that the editing of the penultimate draft of a novel should take longer than the initial writing of it. Time simultaneously contracts and expands, dilates and condenses, the arduousness of the original creation being replaced by a dulling of the senses caused by repetition and familiarity, the spontaneous eruption of a forgotten joke encountered afresh distended into an asymptotic moan of diminishing returns each time it is reread and effort is made to improve on or sharpen it. The self-confidence that overtook any initial hesitation and thereby resulted in the completion of a work to be edited gives way in the review to an orgy of “What the hell was I thinking?” doubt, a form of self-abuse manifested by crossings-out, screeds in the margins, and long, languid waves of ink across full pages where not a word can be salvaged, waves that in brief moments condemn days of agonized wankery.

I get enough of editing in my day job, so this torture I inflict on myself is purely for your benefit, you understand. If you think this next book is shite, you should see what it was like before I edited it. But even now, I’m still laughing at the craziness of it. I’ve mentioned elsewhere that an anonymous reader at Hodder & Stoughton gave my agent feedback on it, saying “This is quite the funniest dystopian comedy I’ve read in a long time.” Well, let’s hope (s)he reads a lot of dystopian comedies, otherwise we’re fucked. Sometime soon, Fowl Play will be edging its way into your eyeline like one of those mythical beasts portending death and destruction but which, when you turn your head, looks like nothing more than a miniature schnauzer. But a miniature schnauzer with one eyebrow raised. He knows what you’ve been up to, and the day when he judges you is nigh.